CHAPTER FOUR
Peter worked with
speed and precision in Pamplona. Time was his challenge and his
enemy, but he deliberately made himself stand apart and examine the
problem from a viewpoint that was nearly academic in its detachment
and serenity. He analysed possibilities and calculated risks with
surgical dispassion; this had always been his great strength, this
ability to choose plans as if they were going to be executed by
robots while he himself was off taking the sun on safe and distant
beaches.
He would have liked
weeks to study this job. Instead he had only days, only hours, to
decide on a scheme that might save his old friends from Angela's
reprisals. No, he couldn't be choosy; Peter was quite willing in
fact to settle for anything that was not demonstrably
suicidal.
He gave a list of
things he might need to the desk clerk at his hotel.
"Yes, senior I'll
attend to it. Street maps. And films of San Fermin. Yes, I can have
them sent over from the photographer's shop."
"I'll also need a
sixteen millimetre projector and screen."
"I'll attend to
everything."
"You're very
kind."
"It's a pleasure,
senior Since you love San Fermin as I do, we must be compadres "I
was only here once and I did love it. But that was long ago."
"Never mind. The
pictures will bring it all back. And time stands still for those
with passion"
"Thank you. That's a
comforting thought. Will you send the things up to my room,
please?"
"I'll take care of
everything, senior."
"Thank you so
much."
The clerk beamed
after Peter: it was a pleasure to serve a gentleman, a compadre.
Such a rare pleasure.
***
Ten minutes later
Peter sat across a desk from an officer of the Banco de
Bilbao.
"I don't much like
the idea of opening an account in Spain, Senor Galache. You never
know what can happen. It's like South America. But I've got to.
Tell me: You got a statement of your current financial
position?"
"But of course, Mr.
Clay."
"Okay." Peter
accepted a booklet, put it away in his pocket without looking at
it. "Now, you got any banking facilities in the Far East?"
"Yes. In Hong Kong.
May I ask the nature of your business, Mr. Clay?"
"Heavy equipment.
Earth movers, cranes, bulldozers, that sort of thing. Your vault's
from Samsons in London, I see. It's the old Model X-fifty, I
suppose."
"No, it's rather more
modern. It's the X-one hundred."
"Yeah? Well, I'll
look at your statement. If it's all right, I'll be back after
lunch."
"Are you staying in
Pamplona for the Fiesta of San Fermin?"
"No."
"That's a pity. It's
very colourful. Since you're right here, why not wait over till
next week?"
"Next week? Hell,
I'll be in Calcutta then."
The Spaniard thought:
I don't care where you will be, Mr. Clay. Leave
your American dollars but take your American manners far
away.
"In that case, may I
wish you a pleasant trip?"
"Sure. So
long."
Peter disliked the
role he had played; it made him quite gloomy, in fact. That it had
been necessary hardly made it more agreeable. Peter had forced the
pleasant young Spaniard to concentrate on his bad manners, so that
he wouldn't wonder at his questions about the number and model of
the bank vaults. Clever, oh yes, he thought. But he didn't enjoy
behaving like that. He sighed and wondered if he had become too
sensitive for this sort of work.
***
For the next few
hours Peter strolled leisurely about the town, deliberately
absorbing its texture and atmosphere. This seemingly aimless tour
was essential to his preparations, and he knew from experience it
wouldn't pay to hurry it; time was precious, but so was information
about which way the streets ran, and where the policemen stood at
given hours, and when the crowds would be thickest in the squares
and market places.
He liked the old
Basque stronghold. He liked its yellow buildings and stone
fortifications, its avenues and monuments, and the briskly sturdy
look of its people. He found the street of the
Thousand-Broken-Heads where Ignatius of Loyola had received the
wound that turned his steps and reflections to sainthood, and he
carefully measured and studied the Calle de la Estafeta, through
which the foolhardy and courageous of all ages would run before the
encierros of bulls each morning during the fiesta of San
Fermin.
Peter stopped for a
glass of beer at one of the cafes that ringed the Plazz de
Castillo. The great square was now quiet and orderly but next week
it would be the joyously thumping heart of the fiesta; thronged
with dancers, musicians, merrymakers; trembling with the explosions
of rockets and fireworks; all the cafes mobbed, every table
sprouting thick clusters of bottles and glasses and saucers.
After a bit Peter
left some coins for the waiter and went back to his hotel.
***
At the wheel of a
grey Citroen parked in the Plaza de Castillo, a man in a black
raincoat looked after Peter with a frown that delicately rearranged
the pattern of scars on his forehead. Seated beside him was a short
stocky man with silvery white hair and features so hard and
seasoned that they might have been hacked from a block of
mahogany.
The man in the black
raincoat said, "I don't understand it, sir. He's drifting about
like a tourist."
"Not quite, Phillip.
Tourists shop for things. Postcards, souvenirs, and so forth. Not
Mr. Churchman. He is looking at things. And looking very
carefully."
"I see. That didn't
occur to me, Colonel."
"Well, I was paid to
notice such things, and you weren't, Phililip."
"Yes, Colonel."
"Please, Philip.
That's all over."
"It's difficult, sir.
It's a strong habit, sir."
"Would it help if I
made it a direct order?"
"Yes, I'm sure it
would, Colonel."
"Do not address me by
rank again, Sergeant Lemoins. That is an order."
"Very well,
sir."
The colonel glanced
at his watch. "We must talk to Mr. Churchman soon. But first I
suggest we have our lunch. Did you like the place called The Four
Crowns?"
"Very much,
sir."
"Then let's go there,
Phillip."
"Yes, Colonel."
***
Peter spent much of
that afternoon in his darkened hotel room studying films taken the
previous year during the fiesta of San Fermin. He watched
daredevils in the Calle de las Estefeta fleeing before fighting
bulls; saw amateur toreros ca ping bony and frantic young oxen in
the Plaza de Toros; followed snake-lines of exuberant dancers
looping and curling through the crowds in the Plaza de
Castillo.
Something else caught
his eye and he quickly stopped the action on the screen.
High above the crowds
in the Plaza de Castillo floated gigantic heads, their mouths
stretched wide in fiercely cheerful smiles.
Peter studied them
intently, while a tantalisingly amorphous idea began to take shape
in his mind. He remembered those huge, gaily painted heads from his
first visit to Pamplona. And what else? Did time really stand still
for those with passion? He remembered the bulls and the fireworks
and the men dancing in the street, the bad news on the radio and
the goatskins of wine raised high through all the reeling night,
the funny, unpronounceable names of the towns in Poland, and a
sudden wistful knowledge that passion and excitement died with the
loss of innocence.
He was oddly
disturbed by his memories. Very well, he thought sadly, let the
innocent weep for such things; sinners know the value of peace and
a bottle of good wine.
He made himself
concentrate on the heads. They were called Cabezudas, he
remembered, or Gigantes. Peter stood abruptly, as if physical
activity might be a specific against his strange gloom, and
measured the heads immobilised on the screen. As nearly as he could
judge by using the human figures in the scene as a scale the eyes
of the Cabezudas were ten or twelve feet above the ground, and
their foreheads were about three feet wide. The heads were
constructed, it appeared, of lacquered cloth or leather stretched
around wooden frames. The men who supported them were concealed by
flowing robes which dropped from the shoulders of the Cabezudas.
Eyeholes cut in the cloth allowed the men to guide themselves
safely through the streets. For several minutes Peter stared at the
silent screen, a frown shadowing his eyes.
He was wondering how
much strength and stamina one would require to carry a Cabezuda
about the city for an hour or so… At last he rose and made himself
a drink. Gripped by mounting excitement, he paced the floor and
stared at the grinning heads frozen on the screen. An idea
flickered and danced about the dark corners of his mind like a
will-o'-the-wisp. It was so audacious that his first impulse was to
put it straight from his mind, to fling it away as he would a
ticking bomb.
But this element was
precisely what appealed to Peter, for his strange genius warned him
that the problem he faced could not be solved by prudent and
cautious means. In such a situation, danger was often the finest
camouflage. Peter respected the police of all countries profoundly;
otherwise he would have been in prison long ago. But he knew from
experience that the police at times fell into the error of
confusing the criminal mind with their own, declaring, in effect:
"Only a fool would take such a chance!" What they forgot, or had
never known, was that men and women who went about breaking into
banks and museums were fools, and quite naturally should be
expected to behave like fools. Words such as 'suicidal' and
'foolhardy' and 'impregnable' were frequently the thief's most
valuable ally, for they created the climate of official complacence
in which the seeds of a plan might sprout, undetected and
unsuspected, into lovely and profitable blooms.
No, Peter thought,
danger was an asset. The problem was timing! How to mesh frail and
erratic human nerves and reflexes with the impersonal, inexorable
sweep of a second hand… Stimulated by the challenge to his
professional skills, Peter put his glass aside, scooped up his hat,
and left the room.
Twenty minutes later
he stood in the gathering darkness near a bridge and looked across
the river towards the corrals of the bulls. Lights winked below him
on the sluggish water. The area was now deserted and quiet; only an
occasional worker strolled by to break the stillness with the damp
and hollow ring of boots on the old cobblestones.
Peter stood with a
stop-watch in his hand, and allowed his formidable imagination to
create pictures against the night. How would it be next week during
the fiesta of San Fermin? The hands of an official would grip a
plunger, while his eye watched a second hand sweeping towards six
o'clock. At the stroke of the hour a deep, booming roar would shake
the city. Birds would fly screaming from the spires and steeples of
the churches, and the runners packed in the Calle de la Estefeta
would know that the fighting bulls had been released from their
corrals.
Peter imagined the
seven dark shapes trotting out to a false freedom in the early
dawn, their shoulder muscles cresting ominously as they
shadow-boxed the air with lethal horns. Flanked by massive,
imperturbable oxen, the bulls would quickly calm down and bunch
themselves into a protective encierro; in this fashion they would
begin their race through the barricaded streets to the appointed
place of their execution that afternoon, the Plaza de Toros at the
foot of the Calle de la Estefeta.
The instant they
formed an encierro and started running, a second blast would shake
the city; and the daredevils in the streets would know that the
bulls were loose and on their way.
Peter clicked his
stop-watch, turned, and sprinted up the street. The first stretch
was a difficult two hundred yards over treacherous cobblestones to
the small plaza in front of the Ayuntamiento, Pamplona's city hall.
Arriving there, Peter leaned against a wall to catch his breath,
and waved off sympathetic offers of air from several concerned
Spaniards. Then he looked at his stop-watch. It would be tight,
very -tight, he realised grimly.
He inspected the
plaza. During the running of the bulls all its openings and
passageways would be sealed off with double wooden barriers. Every
window with a view of the square would be packed with faces; crowds
would throng the top of the barricades; the square itself would be
occupied by a few dozen suicideros, those insanely courageous, or
insanely neurotic, young men who would not take to their heels
until they actually saw the bulls thundering up that two-hundred
yard stretch from the river banks.
Fortunately,
considering certain elements of his plans, Peter was quite certain
that no one in the crowd would have eyes or thoughts for anything
but the arrival of those bulls. The noise would mount in wild
waves, and these would break into sheer pandemonium when the first
dark and murderous shapes topped the rise of the street and
exploded into the plaza. And that was fine, Peter thought.
He strolled across
the square and went into a passageway between two buildings. It was
narrow and dark and damp, and smelled of rust and old mortar. Peter
played the beam of his flashlight over doors and windows. Moisture
glistened slickly on the walls. The noise of the town was muted and
indistinct; the passageway was like a narrow tomb stretching off to
a gloomy infinity.
Peter felt the old
excitement creeping over him. Steel bars and vaults were a gauntlet
flung in his face, a challenge he couldn't resist. He went
carefully along the passageway until he came to a solid brick wall.
There was no turning right or left. This was the end. The windows
at the base of the wall were guarded with clusters of iron grille
work Peter inspected them carefully under the beam of his torch,
programming their measurements into data for the computers in his
mind. But even as he worked he experienced a certain sadness, a
certain guilty gloom, for he realised now how much he had missed
this sort of thing, and how pleased and excited he was to be back
at it. And he couldn't help wondering if he had really been honest
about wanting to make restitution for the colossal error he had
committed during the war. Or had he simply been rational ising a
need to steal? Or to prove, perhaps, that he was cleverer than the
police?
Suddenly Peter
blinked in surprise. He had always been vain about his eyesight,
which was like that of eagles, but now, of all times, it appeared
to be letting him down.
For there seemed to
be two beams of light crisscrossing the barred windows at the base
of the wall.
"Have you lost
something, senior?"
Peter turned, smiling
blankly. The second beam of light moved up to his face. The man
directing it at him was a policeman. Peter had a shadowy impression
of brass buttons, red epaulets, a young unsmiling face.
"As a matter of fact,
I seem to have lost my way."
"What address were
you looking for?"
"Well, I don't know.
I'm trying to find the Banco de Bilbao. Someone told me it was near
here."
"He misinformed you,
I'm afraid."
"Perhaps I
misunderstood."
"Yes, that's
possible. You realise the Banco de Bilbao is closed?"
"Yes, I know. But I
wanted to find it so I could get there first thing in the
morning."
The policeman smiled.
"You're not far from it right now." He rapped his knuckles against
the brick wall. "It's on the other side of this building. Twenty or
thirty feet away."
"Is that so?"
"Yes. But unless you
can walk through solid walls, I don't think that will help very
much."
Peter smiled too. "No
indeed."
The policeman
embroidered his little joke. "And I don't imagine you'd want to buy
some dynamite and blast your way into the bank."
"No, I certainly
wouldn't."
The policeman took
Peter's arm and led him back along the passageway to the square.
"In that case, I think the best thing would be to walk around the
block. You'll be at the door of the Banco de Bilbao in a matter of
minutes."
"Well, thanks very
much. And good night."
"It's nothing, senior
Good night."
***
The policeman, whose
name was Carlos, smiled after Peter.
Tourists never seemed
to be at home, he reflected philosophically.
Always losing their
way, forever straying into strange places, and then smiling like
shy children, like naughty children, when someone set them
straight. With a tolerant shrug, Carlos turned and strolled off in
the opposite direction, hands clasped behind his back, his clear
dark eyes alertly roving the streets for anything amiss. Then
Carlos frowned faintly, stopped and looked over his shoulder.
Peter was already out
of sight. Carlos stood indecisively for a moment, his head tilted
in thought. At last he took a pencil and notebook from his pocket,
moistened the tip of the pencil with his tongue, and began to write
an account of the incident.
Carlos was a
meticulous policeman; he bored his superiors with extensive and
accurate accounts of all happenings on his beat which seemed to him
in any way curious or suspicious.
Carlos knew how his
superiors felt towards him, but he had a notion they might not be
bored with this particular report. Not if the rumours going around
about the Banco de Bilbao turned out to be true.
***
Peter returned to his
hotel room with a headful of worrisome considerations, none of
which, however, was related to his plans for stealing the jewels
and gems of the Virgins during the coming week.
Cursing himself for a
mooning, irrelevant ass, he flung his hat and coat in the general
direction of a chair, and reached for the light switch.
He was troubled by
guilt, troubled by innocence, troubled by the dubious purity of
past and present motives; he was behaving as idiotically, as
witlessly, as a man on a scaffold worrying about whether the drop
would disturb the part in his hair.
Peter's hand froze on
the light switch; he stood motionless, hardly breathing, while his
remarkable senses scanned the dark and silent room for danger.
Fool, he thought, irrelevant fool! Troubled by harmless thunder;
ignoring the fatal lightning bolt.
He dipped a hand
quickly into his pocket and took out a cigarette lighter. Gripping
it tightly in his fist, he extended it at arms' length, parallel to
the floor.
"Ecoutez, mes amis,"
Peter said quietly. "Don't move; don't talk. I am holding three
ounces of tri-nitro-cellulose in my hand. Should I be forced to
drop it Pouf! Et finis!"
A gasp sounded behind
Peter.
He snapped on the
lights.
"Darling, what are
you raving about?" Grace asked him anxiously.